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Nikkei Design

April 2008

Cover Story

Improve Quality with Typography

 

SPECIAL FEATURE 1

Full-Size Picture Books

Typographical design that goes beyond meaning

 

Typography does not just get across a word’s meaning and sound. Playing with the design such as by adding texture or roughness to characters, or a 3D feel, or symbolism, will hugely enhance the quality and volume of the information that is communicated. We looked into typographical design as a way of developing a rich expressiveness for characters that goes well beyond the simple meaning of the word, starting with packaging and advertising but also in a wide variety of genres including products and books.

 

Stressing the 3D Effect

• Renaissance Project - Yaoki bottle

Matsushita Electric Industrial - W61P mobile phone

Kyocera - HONEY BEE PHS phone

 

Adding Symbolism

Sapporo Breweries - Aroma Rouge/Blanc wine with no antioxidant additives

Mandom - Lucido Premium Series personal care products

 

The Nostalgia Factor

• Chichiyasu - Chichiyasu yoghurt etc.

 

The Fusion of Kanji & Alphabet

ART FAIR TOKYO 2008

UK-JAPAN 2008

 

Captivating People with Products as Arts

• Akebono - Rice crackers “Aji no Mingei” (The Folk Craft of Taste)

Goldwin - Competition swimwear “Speed LZR RACER”

• Soun Takeda - Interview

• Sanwa Keibi - Commander Shuestu Sato

 

The Art of Text Layout

• Koshiro Toda - Interview

Inserting Japanese sub-titles in domestic movies

 

SPECIAL FEATURE 2

The Depth of Brand Brought by Ornamental Design

 

Telling a Story without Being Asked: Akiko Takehara

Kids’ toothbrushes: “Inu no Omawari-san” (The Doggie Policeman)

 


 

Nikkei Design

April 2008

Cover Story

Improve Quality with Typography

 

SPECIAL FEATURE 1

Full-Size Picture Books

Typographical design that goes beyond meaning

 

Typography does not just get across a word’s meaning and sound. Playing with the design such as by adding texture or roughness to characters, or a 3D feel, or symbolism, will hugely enhance the quality and volume of the information that is communicated. We looked into typographical design as a way of developing a rich expressiveness for characters that goes well beyond the simple meaning of the word, starting with packaging and advertising but also in a wide variety of genres including products and books.

 

Stressing the 3D Effect

• Renaissance Project - Yaoki bottle

Matsushita Electric Industrial - W61P mobile phone

Kyocera - HONEY BEE PHS phone

 

Adding Symbolism

Sapporo Breweries - Aroma Rouge/Blanc wine with no antioxidant additives

Mandom - Lucido Premium Series personal care products

 

The Nostalgia Factor

• Chichiyasu - Chichiyasu yoghurt etc.

 

The Fusion of Kanji & Alphabet

ART FAIR TOKYO 2008

UK-JAPAN 2008

 

Captivating People with Products as Arts

• Akebono - Rice crackers “Aji no Mingei” (The Folk Craft of Taste)

Goldwin - Competition swimwear “Speed LZR RACER”

• Soun Takeda - Interview

• Sanwa Keibi - Commander Shuestu Sato

 

The Art of Text Layout

• Koshiro Toda - Interview

Inserting Japanese sub-titles in domestic movies

 

SPECIAL FEATURE 2

The Depth of Brand Brought by Ornamental Design

 

Telling a Story without Being Asked: Akiko Takehara

Kids’ toothbrushes: “Inu no Omawari-san” (The Doggie Policeman)